ROBERT MCINTYRE

Australian Composer | Curator | Flautist | Juris Doctor Graduate | Wattle Fellow

strikingly contemporary
— Michael Kaufmann, LIMELIGHT, 2021
McIntyre’s voice is an exciting one.
— Megan Steller, LIMELIGHT, 2022
Syrup and Silicone is more Australian choir magic.
— Megan Burslem, ABC Classic, 2023
Every third dawn... created multiple sublime moments.
— Molly Jenkins, classikON, 2025
an increasingly recognisable and striking compositional voice.
— Molly Jenkins, classikON, 2025
McIntyre’s… bubbling work swept the audience away from the get-go
— Lily Begg, LIMELIGHT 2024
McIntyre proved the intersection between music and law is sustainability…
— Lily Begg, ClassikON, 2023
Our Duty to Care, based on the legal case Sharma v Minister for the Environment, is a significant work.
— Molly Jenkins, classikON, 2025
Place, feeling, memory, and the environment were all explored in a stunningly curated concert from this [Changing Wilds] ensemble.
— Evan Lawson, Classic Melbourne, 2025
McIntyre and Wegman’s collaborative [song-cycle] response was an emotive and freeform journey, equal parts elegy and expression of hope.
— Lily Begg, ClassikON, 2023
The overwhelming message of Our Duty to Care was one of reflection. McIntyre took an introspective tack, and was rewarded by a captivated audience.
— Lily Begg, ClassikON, 2023
The MSO’s strings were now featured in the opening scene, exploring, winding and weaving with solo tones from cello and vibes leading to silence followed by gently glowing muted brass. Solo instruments featured, in particular expressive bass clarinet melodies and a final build-up driven by low brass crescendos and full orchestral texture.
— Julie McErlain, Classic Melbourne 2025
The largest work of the concert, the third performance of McIntye’s Our Duty to Care, was the highlight of the program... this work weaved and spun through various sonic chambers of brilliance, allowing the string, piano and vocal line all a moment to shine in sonorous glory, alongside darker moments, such as an intriguing inner section for pizzicato violin and col legno cello that was written to great effect. I can see why such a work has been fortunate enough to have so many outings – and it deserves many more.
— Evan Lawson, Classic Melbourne 2025

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Robert McIntyre’s Syrup and Silicone cock[s] a snook at queer stereotypes.
— Tony Way, LIMELIGHT, 2022
Intercept is an amazingly beautiful, pretty gripping and powerful sonata for oboe and piano. Robert is an emerging composer with a pretty exciting future ahead.
— Ian Parsons, presenter of The Sound Barrier at PBS 106.7FM, 2022
...McIntyre gave us delicate clouds of dissonance...
— Joseph Campbell, Registrar of Trinity College Theological School, 2021
I was struck by the introspective mood and dramatic tension McIntyre was able to build.
— Stella Joseph-Jarecki, Fever Pitch Magazine & ClassikON, 2021
Syrup and Silicone is [a] pensive piece [about] meeting exacting standards among a community who is supposed to understand you… [the] treatment of the text demonstrated its meaning perfectly.
— Farrago Magazine, 2021

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