
ROBERT MCINTYRE
Australian Composer | Curator | Flautist
Juris Doctor Graduate | Wattle Fellow
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“strikingly contemporary”
“McIntyre’s voice is an exciting one.”
“Syrup and Silicone is more Australian choir magic.”
“McIntyre’s… bubbling work swept the audience away from the get-go”
“McIntyre proved the intersection between music and law is sustainability…”
“The overwhelming message of Our Duty to Care was one of reflection. McIntyre took an introspective tack, and was rewarded by a captivated audience.”
“The MSO’s strings were now featured in the opening scene, exploring, winding and weaving with solo tones from cello and vibes leading to silence followed by gently glowing muted brass. Solo instruments featured, in particular expressive bass clarinet melodies and a final build-up driven by low brass crescendos and full orchestral texture.”
“McIntyre and Wegman’s collaborative [song-cycle] response was an emotive and freeform journey, equal parts elegy and expression of hope.”
“I was struck by the introspective mood and dramatic tension McIntyre was able to build.”
“...McIntyre gave us delicate clouds of dissonance...”
“Robert McIntyre’s Syrup and Silicone cock[s] a snook at queer stereotypes.”
“Intercept is an amazingly beautiful, pretty gripping and powerful sonata for oboe and piano. Robert is an emerging composer with a pretty exciting future ahead.”
“Syrup and Silicone is [a] pensive piece [about] meeting exacting standards among a community who is supposed to understand you… [the] treatment of the text demonstrated its meaning perfectly.”

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